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There was no sign of motion from the sparrow, but perhaps that was because of the pitch darkness. Tanaami reminisces about that time, saying that "it was a relief and a joy to see Astro Boy, who moved so freely on the printed page, transposed onto the black and white television and animated just the way I had imagined. Inside, there lay a dazzling, magnificent palace with countless pavilions stacked up to the sky. This point of view was then re-imported, and as I was deciphering montage theory, I also came to look for new methodologies in editing and design.
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If the bridge is what divides this world from the afterworld, the border between the mundane and the divine, it must also be a place of meeting.
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